The Girl Who Kicked The Hornet’s nest.
The Millenium Trilogy draws to a close with The Girl Who Kicked The Hornet’s Nest.
Salander is plotting her revenge – against the man who tried to kill her, and against the government institutions that very nearly destroyed her life. But it is not going to be a straightforward campaign. After taking a bullet to the head, Salander is under close supervision in Intensive Care, and is set to face trial for three murders and one attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must not only prove her innocence, but identify and denounce the corrupt politicians that have allowed the vulnerable to become victims of abuse and violence. Once a victim herself, Salander is now ready to fight back.
Following on directly from the events of The Girl Who Played With Fire
, Lisbeth Salander is in hospital and Mikael Blomvist is still investigating the conspiracy surrounding Soviet defector Zalachenko. Salander is recovering from a bullet wound in the head, but has inadvertendly triggered a chain of events within the most secretive of government agencies. They are determined to cover their tracks at all costs and having already had her declared mentally ill and sentenced her to an instituion, they want her to go back there for good.
As with the previous books, it takes some time for the plot to get one. It is very much a continuation of the second book rather than stand alone novel and so it is vital to read the other two books to understand the story and characters. It does improves on the second book though in that Salander is present throughout, even though she starts off severly injured and incapacitated in hospital. Without her we are left with an interesting but somewhat dry investigation into the Swedish secret service. Soon though the book picks up, with the courtroom scenes being particularly compelling.
It is remamrkable that the pace and momentum are kept up over what are considerably long and complex plots. Plotlines interweave with one another but it remains clear and concise. Once again it was only the Swedish names that remain a potential stumbling point. The lengthy trial scenes are perhaps Larsson at his most grandstanding, where the Swedish judical system is examined and taken apart, and the authors own views come on a little too strong. This final book could have done with a bit more editing as at times there are few lapses and certain sections could have been tightened up, yet it still remains a thrill as the book draws to its conclusion. Not everything is tied up neatly at the end, with the whereabouts of one character still not resolved…
For me, the first book remains the best, with the second the weakest of the three. It remains to be a crying shame that the author died without knowing his success and overall the Milleniunm series has been a triumph. As it is though, it remains a thrilling and fitting conclusion to a remarkable series of books featuring one of the most interesting and complex heroines in recent crime fiction history.