This week, we have some of your feedback on comfort reads, and Kate and Rob head to the cinema to see Fantastic Beasts and A Monster Calls.
Aardman Animations has long been admired in my family, ever since the advent of Wallace and Gromit, in A Grand Day Out (1989). Although the short film does now look dated, it still bursts with humour, fun and irony as we see the naive inventor set off to the moon with his trusty hound, to alleviate a cheese shortage back on Earth. The pair’s next outing, in The Wrong Trousers, which drew on the best features of British domestic horror, ensured their success. It had a more developed script, much more sophisticated animation set pieces – the model railway chase is a fantastic action sequence – and set the tone for big screen hits such as Chicken Run and Curse of the Wererabbit.
Pirates! goes back to this tradition of real stop-motion animation; you can’t quite see the thumb prints but it’s infinitely preferably to the bizarre smoothness of Flushed Away. Based on a book by Gideon Defoe, it is full of jokes about the cliches of the pirate story, historical references, anachronisms, and a pinch of steam punk too. The pirates in the crew are never given personal names, only known as Pirate Captain, Number Two (*snigger* – an echo of Captain Pugwash there?), Albino Pirate and so on. However, the Pirate Captain’s nemesis is given a name – Black Bellamy – and the Captain’s main aim for the film is to prevent Black Bellamy winning Pirate of the Year yet again.
This is a task that the Pirate Captain has been unsuccessful with thus far, despite his excellent hat, luxurious beard and unusual parrot, Polly. Except that Polly is not all that she seems. After a number of failed plundering attempts, Pirate Captain is almost ready to hang up his cutlass when a ship hoves into sight. In one last try to steal some booty, they board the ship, only to discover Charles Darwin heading back from a scientific expedition. Furious that there’s no gold on board, Darwin is almost made to walk the plank and only saved when he recognises that Polly is in fact a Dodo, the only remaining member of her species, and so incredibly valuable, to science at least. Darwin persuades Pirate Captain to enter Polly in the Scientist of the Year awards at the Royal Society in London; hilarious japes ensue, including a number of encounters with a rather terrifying Queen Victoria.
The film is very entertaining viewing; the scale of the escapades builds satisfying over the course of the narrative, the plot is pleasingly outlandish and fantastical, and the script is very witty. I do think that perhaps, similarly to The Muppets earlier this year, this is a film much more for adults than for children; there were a number of jokes and film references that would have gone way over the head of a ten year old, and even most teenagers. That being said, there were also jokes broad and visual enough to keep a five year old happy. On the Aardman scale of merit, I’d put it between Chicken Run and Wererabbit – very funny at times but also sophisticated, just not quite reaching the dizzying heights of a Wallace and Gromit quite yet.